Texas Chainsaw Massacre
2022
After nearly 50 years of hiding, Leatherface returns to terrorize a group of idealistic influencers who accidentally disrupt his carefully shielded world in a remote Texas town.
Reviews
Yassine Essahli
What's this sh*****t?
Where's the logic in this?
**I don't recommend it just waste time**. see more
22 Feb 2022
Chris Sawin
The problem now is that the successful film formula revolves around nostalgia, rehashing familiar sequences and storylines, and bringing back survivors for one final confrontation. This has all proven to crush the box office, especially during the pandemic. This results in there being no originality or creativity anymore; it’s just a repetition of what we’ve already seen. Until Leatherface can get a fresh face to wear, the _Texas Chainsaw Massacre_ franchise is doomed to run in circles with a sputtering chainsaw on a mostly deserted road no one wants to travel down.
**Full review:** https://hubpages.com/entertainment/Texas-Chainsaw-Massacre-2022-Review-Tearing-the-Face-Off-of-a-Horror-Franchise see more
19 Feb 2022
Lauren Elizabeth Rose
Texas Chainsaw Massacre (2022) is a film I was looking forward to for a while, although I wasn't sure why. I had been very disappointed in the last couple additions to the TCM franchise, so I knew it was very likely that it would not be any different with this one. I watched the film the day it came out, and received exactly what I expected, I didn't like it. I liked it more than I expected, yes, but still not enough. The acting was lacking, the premise was stupid, and it killed off the beloved legacy character in the most insulting way possible. The only redeeming aspects of the movie are the nice-looking cinematography and the amazing gore. However, I am looking forward to seeing the next one, and I have no idea why. 3.5/5. see more
15 Jul 2022
tmdb28039023
The original The Texas Chainsaw Massacre actually predated the original Halloween by four years, but now it’s the former’s turn to follow in the footsteps of the latter, resulting in a case of the blind leading the blind. This new Texas Chainsaw Massacre takes its cues from the recent Halloween and Halloween Kills, going as far as dusting off the franchise’s original Final Girl – the character, that is; Marilyn Burns, the actress who played the first Sally Hardesty, died in 2014, and she certainly is in a better place now (i.e., not in this movie).
Generally speaking, though, the only thing that separates this from pretty much every slasher film ever made is that, instead of the usual Dead Teenager Movie, Massacre ‘22 may very well be the first-ever Dead Millennial Movie. Speaking of which the kills, which have the power to save even the most generic and derivative of horror sequels, are another disappointment; only the first one, involving a very creative use of the bone shard sticking out of a compound fracture, shows any ingenuity.
The best thing that can be said of this uninspired effort is that it’s short (shorter still considering that about 10 of its 81 minutes are devoted to the closing credits); then again, any movie is bound to be brief that lacks a proper conclusion – and I’m not referring to the fact that when Sally, who has been hunting Leatherface down “for more than 30, 40 years”, finally has him cornered, she apparently decides, all of a sudden, that after having waited multiple decades for this moment, she might as well wait a bit longer; after all, what’s another five more minutes between old friends? This is excruciatingly stupid, but if the movie ended there it wouldn't be any more unsatisfying than the actual ending.
And the worst that can be said of TCM ‘22 is that it has the gall to draw a parallel between the titular chainsaw massacre and a high school shooting (“Stonebrook High”, which sounds very uncomfortably like Stoneman Douglas High School), as if a dumb movie that deals in gratuitous violence and doesn’t even have the decency to provide a cathartic resolution could ever find a way to connect emotionally to the victims of a real-life massacre. This is low, even by exploitation cinema’s sub-standards. see more
3 Sep 2022
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